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Although the universe is ablaze with more colours than the human eye can detect, we can also learn to see the world in new ways by returning to the roots of the art of photography, to the art of black and white, and other monochromes like sepia (and bi-level). This photo blog celebrates that spectrum of colours ranging from the darkest monochromes to the most brilliant whites, and everything in between.
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2009
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August
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- superfrog saves tokyo
- Dream Tryst
- The Biblicist
- Carrion
- Silent Curse
- jeremy under the bridge
- catherine at the beach
- Pollution
- Vineyard
- Oyster Bar at Gibsons
- Liquid Marble (hue 185, saturation 3)
- jovanna
- scott and gabriella
- catherine and alex
- craig and verena
- Elena
- Into the Unknown, Uluru, Australia
- Alter Relief, St. John the Divine, NYC
- Coquihalla River at Othello Tunnels
- Rublev, Flying
- Mull, as seen from Iona, Scotland
- Thinking
- In the Cascades
- Backstage Old Aud
- Window--dog--window
- Buoy 22
- Elegance on a Bus
- Conducting
- Candles at Laon Cathedral, France
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August
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3 comments:
I'm guessing. . . the 14mm lens I covet. This gives great depth of field but (for me) distorts Alex's torso and Catherine's head. Thankfully not a fisheye effect. I haven't seen this approach in your other work; is it one that is now interesting you? I can see it being dramatic and evocative for theatrical ads.
I like the distortion. The effect I wanted was like a CCTV videotape of a crime in progress, rough stuff on the streets. Distortion is your friend: anybody can make heads look normal, fer cryin' out loud. :-)
I have to stop thinking so conservatively, thanks. Did the models see this, or might they use it for their portfolios? The more I look at it, the more I like it. It is less formal than the following "craig and verena", and almost seems unposed, 'caught in the act'.
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